Recent Blu-Ray Haul Vol. 18

18.  18 of these Blu-Ray Hauls.  That seems pretty crazy.  That’s a LOT of physical media that I’ve bought since I started doing this series.  There’s been a lot of speculation about the future of physical media.  With the amount of streaming services that we have now, a lot of industry professionals had predicted the end of physical media.  A lot of this had to do with Disney and their streaming service, Disney Plus.  However, over the past couple of weeks, Disney might be pivoting back to physical media.  Why?  The home video market was incredibly lucrative for Disney, but prioritizing the streaming releases of theatrical films over physical media has undercut licensing and retail businesses.  So, Bob Iger says that Disney is going to be looking at physical media again in the future.  The prediction for the death of physical media was estimated in about 8 years with the release of the new PlayStation 5 and Xbox Series X gaming systems.  But it seems that streaming services are NOT seeing the financial results that they were expecting.

It makes sense.  There are only so many homes on the planet that you can get your streaming service into, and if that happens, your revenue stream hits a plateau.  What many services are now doing is adding a limited-ad tier to their services and raising the subscription prices.  With the amount of streaming services out there, those numbers are not entirely sustainable.  So, is this good news for us physical media collectors?  It very well could be.  I certainly hope so.  Collecting physical media is starting to become a bit of niche hobby for a lot of us.  We’ve got great boutique labels like Criterion, Shout! Factory, Vinegar Syndrome, Blue Underground, and several other labels that are filling the void.  It’s not cheap, but it’s generally worth it, because we get to keep these movies forever.  With streaming services, it’s not so clear.  But enough of that.  You’re here to find out what I’ve been buying recently.  So, let’s get crackin’!

Battlestar Galactica(1978)Complete Series – Universal Pictures

Now THIS is a blast from the past.  I know a lot of folks out there think that this show from 1978 is incredibly cheesy.  While it’s true that some of the effects don’t hold up as well, I found this show to be far more charming and compelling than the newer one with Edward James Olmos.  The 1978 film stars Richard Hatch as Apollo, Dirk Benedict as Starbuck, and Lorne Greene as Adama.  This show came out and was canceled before I was born, but my parents, my brother and I would sit in our living room every week and watch the show via syndication.  Along with Star WarsBattlestar Galactica helped form my love for science fiction and fantasy.  The 3-part pilot episode was edited into a two-and-a-half hour movie and it holds up incredibly well story-wise.  In fact, in a post-9/11 world, holds up better than it used to.  The follow-up two-parter episode is incredibly exciting but also a hefty emotional impact.  These are characters that are interesting and that you ultimately care for.  I mean no disrespect to the newer Galactica, but THIS is what I grew up on and it means a lot more to me.  The set includes all the episodes from the show’s 1978-1978 run.  Thankfully, the 1980 series Battlestar Galactica 1980 isn’t a part of this.  That was an awful show.

The Great Dictator – Criterion Collection

This is the first Charlie Chaplin movie that I have in my collection, and it’s one of his more controversial ones.  Chaplin plays two roles.  The first, a Jewish barber that happens to bear a striking resemblance to the dictator of the fiction country of Tomainia.  Chaplin also plays the aforementioned dictator in a role that clearly makes fun of Adolf Hitler.  In fact, this movie was banned in most of occupied Europe during World War II.  This is an outstanding film, because it’s not just a comedy, but it’s a commentary about cruelty and “machine minds” as Chaplin so adequately put.  The centerpiece of the film is the incredible speech that Chaplin gives at the end of the film.  It’s an iconic film from one of the greatest on-screen comic actors in cinema history.  Definitely recommended.

Logan’s Run – Warner Bros.

I’ll be honest.  The first time I attempted to watch Logan’s Run was nearly 20 years ago.  I couldn’t make it past the goofy visual style.  It’s about a futuristic society where automated systems provide endless comfort to the residents.  The only catch is that people can only live to be 30 years old before they partake in a Carousel that’s supposed to lead them to some kind of “re-birth.”  Michael York plays Logan-5, a “Sandman” who is tasked with hunting down and eliminating Runners, people who try to escape the Carousel.  Logan ends up being tasked by the city’s main computer to find a so-called “Sanctuary” outside of the city walls, so he enlists the help of a woman, Jessica-6, to help him.  It’s definitely goofy in a lot of parts, but the visuals are really striking.  The designs of the city and outside world are incredible.  In fact, this movie won a Special Achievement Academy Award for Visual Effects.  Of course, this film was released in 1976.  The following year would give us Star Wars and change film-making forever.  Logan’s Run is the last of an era of science fiction before everything changed.  I got a kick out of it, and Michael York is always entertaining.  There’s a vintage featurette and audio commentary.  Nothing really note-worthy, aside from the film itself.

Phenomena – Synapse

Dario Argento is one of the most celebrated Italian film-makers of the 70s and 80s.  He’s made some incredibly iconic horror and thriller pictures like Susperia, Tenebrae, Deep Red, Inferno, and Opera.  While his newer movies have not been good, Argento’s older stuff is striking.  It’s visually interesting, even if it doesn’t always make sense. Take Phenomena, a movie that stars in her first lead role as Jennifer, a young woman sent to a Swiss boarding school.  She has this unique connection to insects that allows her to psychically influence them.  There have been a number of girls that have been murdered or reported missing, so it’s up to Jennifer and scientist John McGregor to solve this mystery before the killer takes another victim.  Dario Argento has a unique flair for the bizarre in his movies, and Phenomena is no exception.  It’s definitely one the weirdest movies I’ve seen.  Not only is it visually striking, but the soundtrack is something else.  Not only does it employ Goblin, but Iron Maiden’s a part of the soundtrack too.  I can’t say that the soundtrack fits, but it really adds to the weirdness of the picture.

Last Hurrah for Chivalry – Criterion Collection

Another Criterion film on this list.  When most people think of John Woo, they think of movies like Face/Off, Hard Target, or 1996’s Broken Arrow.  Rightly so, but he made his break in Hong Kong, where one of his earliest action flics was an old-school wuxia movie called Last Hurrah for Chivalry.  Released in 1979, the film followed two swordsmen who had nothing in common with each other, as they help a local lord take revenge on a rival that attacked during a wedding.  It’s a simple narrative, but the twists and turns that it takes during the film are wild.  One of the biggest problems with modern action cinema is the over-reliance on hyper-editing during fight scenes.  Gone are the days of fight scenes that last 5-7 minutes long.  Last Hurrah for Chivalry is one of the last where the fight scenes, as well as the rest of the film, were operatic in nature.  Each fight scene told a story with a beginning, middle, and end.  The choreography for these fights was really good, despite the tempo being more in line with the other Kung-Fu movies during the 70s.  Instead of guns, we’ve got swords, and it’s spectacular.  The whole movie is basically a giant fight scene.  It’s really interesting to see where John Woo came from and where he ended up.  You see a lot of his signature film-work in this movie, minus the doves.  That comes later.  It’s a really good movie that I recommend to anyone who has a passing interest in wuxia/Kung-fu movies, and I definitely recommend it to John Woo fans.

That’s going to do it for this installment of Recent Blu-Ray Hauls.  As a physical media collector, I enjoy documenting the stuff that I buy, and I hope that you folks get something out of these.

 

The Relic

Released: January 1997

Director: Peter Hyams

Rated R

Run Time: 110 Minutes

Distributor: Paramount Pictures/Lionsgate Studios

Genre: Horror

Cast:
Penelope Ann Miller: Dr. Margo Greene
Tom Sizemore: Lt. Vincent D’Agosta
Linda Hunt: Dr. Ann Cuthbert
James Whitmore: Dr. Albert Frock
Clayton Rohner: Det. Hollingsworth
Chi Muoi Lo: Dr. Greg Lee

Before I begin, I just want to acknowledge the passing of Tom Sizemore, who plays Lt. D’Agosta in The Relic.  I won’t go into details about his death, but at 61 years old, he left us far too soon.  Because of that, I want to take a look at some of the movies that he’s been a significant part of over the past 30 years.  Most people would probably recognize Tom from movies like Michael Mann’s HEAT and Saving Private Ryan.  He clearly had a reputation for playing tough guys, but he was very good at it, especially in HEAT.  Whether he’s playing soldiers in movies like Black Hawk Down and Saving Private Ryan or smaller bit parts, you can’t ignore that he had serious screen presence.  The movie that I’m looking at today is one of my favorite monster movies from the mid-90s, The Relic, based on the book of the same name by Douglas Preston and Lincoln Child.  The book was outstanding in terms of building tension and suspense.  Does the film live up to the book?  Let’s find out.

The movie opens as an anthropologist is studying tribal rituals in Brazil.  He’s given a cup of water that’s mixed with some leaves that have something bizarre on them.  Later, he tries to have crates removed from a cargo ship.  Some time after, said cargo ship appears near Chicago with all hands missing.  Lt. Vincent D’Agosta and his partner, Det. Hollingsworth believe it could be some kind of drug heist, but then they discover the remains of the ship’s crew in the bilge.  At the Natural History Museum in Chicago, a security guard is brutally attacked and murdered.  D’Agosta and Hollingsworth begin their investigation, but are informed that a major exhibit is set to open that evening, which means D’Agosta has limited time to find the killer, which may or may not be human.  As someone who HAS read the book, a lot of changes had to be made, as you should when you adapt anything.  I would say that the overall plotline is for the most part, the same, but beyond certain plot points, the movie is very different.  That’s not necessarily a bad thing.  A number of characters had to either be written out entirely or combined into one or two characters.  But the overall story is about a murderous monster in a museum.  A museum is a perfect place for a monster movie.  You’ve got a massive building with multiple sub-basements that a creature could easily hide in.  The book’s story plays out more like a detective story that happens to have a monster in it.  The movie is about a monster that happens to have a detective in it.  Again, not a bad thing.  And it’s all centered around a stone statue that represents a devil-god.  It’s good stuff.  Also, the whole subplot about the mining in Brazil that led to the decimation of a local tribe was wisely cut out.

As I said earlier, there were a lot of changes made to bring The Relic to the big screen.  Some of the characters like Greg Lee were completely changed.  In the book, Lee was instrumental in figuring out what was going on and why people were being killed in such gruesome ways.  In the movie, Lee’s a sniveling little snot of a scientist looking to swipe a potential grant out from under Margo Greene.  Greene herself was more introverted than in the movie.  D’Agosta, in the book, was overweight and NOT superstitious.  Movie D’Agosta was younger, more athletic and VERY superstitious, which makes for a far more interesting character in my opinion.  I think some of these changes were definitely for the better.  Tom Sizemore was great as D’Agosta.  He gave the character a serious boost of confidence, but made the character even more of a bad-ass.  Penelope Ann Miller, even though she came from more a comedic background, made Margo far more feisty and confident. Linda Hunt is Dr. Ann Cuthbert, the head of the museum.  I’ve always liked Linda Hunt.  Despite her short stature, she’s a powerhouse of an actress.  James Whitmore, who was an industry veteran, played Dr. Frock, a curator who had a bizarre theory about evolution that occasionally brings about an incredibly powerful but short-lived creature.  Whitmore was fantastic.  He brings a unique wit to the character that makes him incredibly endearing.  The acting, overall, is pretty good.

In terms of effects, The Relic combines both practical and CG elements.  The practical effects are still impressive, and the creature design by Stan Winston Studios is one of the most unique monsters put on screen.  When you see close-ups of the beast, it’s done practically with a man in a suit.  When the monster moves, it’s CGI.  Considering this was 1997 when the film was released, the CGI holds up…mostly.  A lot of that is because it’s hidden.  This is a pretty dark movie in terms of cinematography, but that’s how Peter Hyams designed it.  If there are dark sequences, then they needed to be DARK.  Some thing for light.  The darkness helps cover-up some of the issues that plagued CGI creatures at the time, so it actually made it more effective.  Hyams mostly took the same approach that Ridley Scott and Steven Spielberg did with Alien and Jaws: Imply, although Hyams showed more of the creature than Scott or Spielberg.  But for the most part, all you could really see was the outline of the beast, and this thing was terrifying.  There was a moment though, when the creature was on fire, that it didn’t work.  But that’s because nobody had really been able to render CGI fire correctly.  Again, it was a product of the time.  Still, the creature and the gore effects are still effective against the backdrop of a museum.  The pacing is also pretty good.  When the Kothoga makes its move, it’s a full on roller-coaster ride to the finish.

Is The Relic a top-tier monster movie?  No, I don’t think so.  It doesn’t reach the heights of something like say, Alien.  It does fairly heavily rely on genre tropes, but that’s to be expected.  The creature design is definitely top-tier.  It’s unique and it’s method of dispatching its victims is grotesque and brutal.  As an adaptation, it’s not one of the better ones, to be honest, but it’s far from the worst.  On certain levels, it DOES feel kind of generic, but when you have excellent performances from Miller, Sizemore, Hunt, and Whitmore, it’s absolutely worth it.  It also doesn’t take itself super-seriously.  It knows what kind of movie it is.  It’s a hell of a lot of fun.  Isn’t that what you want in a monster movie?  I do recommend it for genre fans.

TOM SIZEMORE

NOVEMBER 29, 1961-MARCH 3, 2023