Tomb Raider

Released: March 2018

Director: Roar Uthuag

Rated PG-13

Run Time: 118 Minutes

Distributor: Warner Bros.

Genre: Action/Adventure

Cast:
Alicia Vikander: Lara Croft
Dominic West: Richard Croft
Walton Goggins: Mathias Vogel
Daniel Wu: Lu Ren
Kristin Scott Thomas: Ana Miller
Derek Jacobi: Mr. Yaffe

Whenever I review a movie based on a video game, I always bring up the fact that historically speaking, movies based on video games generally aren’t very good.  Aside from maybe a small handful of films, most video game movies are crap.  There are a number of reasons for this.  First of all, you’re trying to adapt a game that may have up to several dozen hours of play time, and try to condense all that into a two-hour run-time.  Obviously you can’t have a 17 hour movie as nobody in their right mind would sit through that.  Unfortunately, you lose a lot in the translation and may end up skipping over some very important story bits  Secondly, you have film-makers who don’t understand the source material.  All you have to do is look at what Uwe Boll has produced over the past 20 years.  Most of his video game-based films have a distinctly cheap and flat-looking appearance to them with horrendous effects and performances.  Thirdly, the film-makers are blindly trying to market these movies towards fans of a particular game, and that doesn’t work because the fans would rather play the game.  Why would you want to turn an interactive experience into a non-interactive one?  You would need to try and appeal to audience members who aren’t necessarily gamers.  There have been a small handful of titles that aren’t awful.  They’re not great films by any stretch of the imagination, but they are passable and enjoyable.  Mortal Kombat, Prince of Persia, and one or two of the Resident Evil films.  Now, we have another movie based on a video game: Tomb Raider.

Based on the 2013 video game reboot of Tomb Raider, the film follows Lara Craft as she tries to make a living by being a courier.  After running afoul of the police, she’s given the opportunity to sign the document declaring her father dead, so she can inherit her family’s fortune.  After solving a mysterious puzzle box handed to her by the man who is signing her inheritance over to her.  The notes inside indicate that her father may have been leading a double-life and disappeared 7 years prior.  Searching her family’s estate, she discovers that her father was on a search for the mysterious island of Yamatai, some distance off the shores of Japan.  He had been searching for a mysterious Japanese queen who may or may not have had supernatural abilities.  Wanting to find out what happened, she charters a boat to take her to this island, where she runs afoul of a man, Mathias Vogel, as he is also searching for this particular tomb.  The 2013 reboot of the Tomb Raider video game series is among my favorite games of all time.  It was gritty,  brutal and spectacular.  This new film draws its inspiration directly from the 2013 game, so it skips the previous films starring Angelina Jolie.  Aside from certain necessary changes, the story here is fairly faithful to the source material.  It wasn’t a bad story to begin with, but seeing it come to life in this new film was surprisingly interesting and oddly enough, it works…..mostly.

I have to say, they really nailed down the look of the film.  A lot of details from the game actually translated pretty well to the big screen.  Lara looks like they plucked her straight from the game.  Her outfit is exactly the same as it is in the digital world.  I was unsure if Alicia Vikander would be good as Lara.  As it turns out, she is.  She does a number of her own stunts and action sequences and she’s actually really, really good.  The environments and sets are mostly practical and look very good.  The cinematography is absolutely stunning.  It’s also beautifully gritty, much like the game.  Lara gets thrown around and beat up and it looks like it hurts.  Just like the game, the movie counter-part takes a beating, but she always gets back on her feet.  There are a lot of elements that they lifted right out of the game.  When Lara escapes Vogel, she gets trapped in an old plane, where she falls out of the cockpit with a parachute.  That’s literally right out of the game, and it’s a lot of fun to watch.  That’s one of several moments that come straight out of the game, but it’s done in a way that makes it feel real.  There is a real sense of danger here, and it’s all because of the director, Roar Uthuag, who really wanted to bring Lara Croft to the screen properly.

The acting in this film is actually really, really good.  That’s not something I would expect from a movie like this.  This is Alicia Vikander’s film, first and foremost and she nails in a way that Angelina never could.  Like the 2013 game, this film’s Lara Croft is not over-sexualized, but feels more like a real person thrust into a very extraordinary situation.  Walton Goggins plays the film’s villain, Mathias Vogel.  I have to say, I really like Mr. Goggins as an actor.  He’s got a range that I rarely see from an actor these days.  He’s really good at playing both good guys and bad guys, and it’s no exception here.  While his character is certainly ruthless, he does have a personal reason for wanting to get off the island, but he’s willing to kill people to do so.  Dominic West plays Lara’s father, Richard.  This is one of those changes from the video games that I really like.  In the games, Richard dies when Lara is a young girl, but in this new film, not only is he still alive, but he plays a crucial part in Lara’s development as a character.  The relationship between the two characters is surprisingly touching and well-written.  Even Daniel Wu’s Lu Ren gets his moment to shine.

The film not only tries to replicate the 2013 game, but it also borrows elements from the game’s follow-up Rise of the Tomb Raider.  For example, the movie has Lara and Richard racing against time against an ancient violent cult known as Trinity which is searching for supernatural objects to try and control the future of humanity.  The character of Ana Miller is taken directly from Rise of the Tomb Raider as well.  Normally, that would give me cause for concern, but in the overall film, it doesn’t detract from the overall experience.  All that being said, the film is not without its flaws.  For one, we don’t really see much of Lara’s past and how she comes to be where she is and why she’s there.  While the character definitely has a personal reason for traveling to Yamatai, it’s strictly for finding out what happened to her father and not really for archaeological purposes.  There’s also some very questionable physics involved here, but this is a movie based on a video game, so I tend to be a little more forgiving in that regard.

Tomb Raider is one of the first games to feature a female protagonist, and to finally see her properly brought to the big screen is truly phenomenal.  Some might consider her the female Indiana Jones, but I don’t see that as a bad thing, as the games have clearly drawn their inspiration from Steven Spielberg’s films as well as other adventure films.  I really do like the fact that we have a strong female character that can be very empowering to women and young girls as well as just being a total bad-ass.  I don’t know where they’re going to go from here, but I can’t wait to find out.  As far as movies based on video games go, Tomb Raider is easily the best one out there.  Granted, the bar ain’t very high, but this film managed to be very entertaining and engaging from beginning to end.  I would honestly say you should check this one out.  It might surprise you.

My Final Recommendation:  This one puts an arrow through any other video game-to-film adaptation. 8.5/10

 

Death Wish(2018)

Released: March 2018

Director: Eli Roth

Rated R

Run Time: 107 Minutes

Distributor: MGM Studios

Genre: Action/Thriller

Cast:
Bruce Willis: Paul Kersey
Vincent D’Onofrio: Frank Kersey
Elizabeth Shue: Lucy Kersey
Camila Morrone: Jordan Kersey
Dean Norris: Detective Kevin Raines
Beau Knapp: Knox
Kimberly Elise: Detective Leonore Jackson

Remakes are a pretty tricky business, especially if you’re remaking a film that was released over 40 years ago.  The hurdle that most remakes have to face is whether or not they are going to be relevant to the issues at the time the remake is going to be released.  Another issue is whether or not they will be bringing something new to the table.  I can list off a number of remakes that are actually really good: John Carpenter’s The Thing, The Blob(1988), The Fly, Francis Ford Coppola’s Dracula(1992), Beauty and the Beast, and Fist of Legend just to name a few.  But for every Thing, there is a Psycho remake.  So….where does Eli Roth’s Death Wish end up?  Let’s find out.

The film starts in Chicago as a cop that was shot by gang-bangers ends up dying at a nearby hospital.  This hospital employs Paul Kersey, who couldn’t save the cop’s life.  Later, Kersey and his family are trying to celebrate a birthday when he’s called back to the hospital.  Unfortunately, his wife and daughter are caught in a violent home robbery with Paul’s wife dead and his daughter in a coma.  Frustrated that the cops have no leads or are unable to crack the case, Kersey decides to take things into his own hands and metes out brutal vengeance.  The story is pretty straight-forward and doesn’t deviate, but the problem here, is that we’ve seen this story done a million times before, going all the way back to the original Death Wish starring Charles Bronson.  There’s nothing really new that’s been added and it just feels like a “by-the-numbers” thriller, which it is.  Also, one of the controversies about the film is that it was released not too far long after a recent school shooting here in the States.  Is it bad timing?  Sure, but is the film a victim of bad timing?  No.  The film is a victim of being a remake of a vastly superior film.  The original film was relevant for the time because there was something to say about the state of violence in the country at the time.  Eli Roth’s film tries to be relevant for TODAY’S audiences, but it comes across as a cheap gimmick.

I’m a huge fan of Eli Roth’s work as a director.  He’s got a very unique eye for certain details as well as absurd amounts of ultra-violence, and he brings that same sensibility to Death Wish.  Does that make it a better film?  Not really, because he’s not particularly great at the slower and more character-oriented moments.  In fact, most of the characters in this film are fairly disposable.  The villains are your cookie-cutter home invaders with no real personality.  No, they exist to get the snot beat out of them or violently disposed of.  I have to say this:  The film does look really, really good.  It’s well-framed and you can see everything that’s going on.  There’s no shaky-cam or extreme close-ups to get in the way of the carnage.  Props to the film-makers for that.  The set designs and costumes are what you would expect from a film like this.  Thankfully, the movie does not rely on CGI gore.  Oh, no.  Most of what you see is practical.  Is it over-the-top?  Yeah, but it does make you cringe at some of the violence.  There were audience members, like myself that went, “oh, shit!” when something gruesome happened.  From a technical standpoint, this is a decent film.

This film was touted to be Bruce Willis’s big comeback.  Is it really, though?  Kinda, if you’re looking for an ass-kicking Bruce Willis.  I think he does alright with the material, but I just don’t buy Bruce Willis as this superstar surgeon.  He just doesn’t have the look for it.  Vincent D’Onofrio plays Paul’s brother Frank, and I have to say, Vincent is pretty good.  He’s always fun to watch, whether he’s playing a bad guy or a good guy.  He’s a chameleon.  Dean Norris plays the detective investigating the crime that hit Kersey’s family.  Dean Norris has turned out to be a pretty stellar, if underrated actor.  He’s been in so many movies and tv shows over the past 30 years, it’s surprising that he’s not really been given the kind of attention that he deserves.  Elizabeth Shue plays Lucy, Paul’s wife and she’s….there.  Outside of those few actors, there’s really nobody else worth mentioning.  Look, I’m a huge fan of Bruce Willis, and even at his worst, he’s still fun to watch.  He will always be Korben Dallas to me.

The original Death Wish with Charles Bronson was a statement on the nature of violence and justice(or lack thereof)as well as the consequences of vigilantism.  The new film doesn’t really project that very well, especially in today’s world with the internet, social media, smart phones, and all other sorts of technology.  One of the other issues that I had with this film, is that Eli Roth’s interpretation of the Kersey doesn’t have him being anti-gun.  Charles Bronson’s version was clearly against the use of violence but he had legitimate reasons for that, except when he was pushed to far.  While the new film is heavy on the carnage, it doesn’t really have a lot to say about violence or when and why to use it.  Do all these issues make Eli Roth’s film a bad movie?  No, far from it.  I had a good time with this one, it just doesn’t do enough to stand out in a genre crowded by movies inspired by the film’s namesake.  I think it’s worth a look, at least.  Bruce Willis dispatching bad guys never gets old, at least not for me.

My Final Recommendation: Pissing off Bruce Willis is a very, very bad idea.  7.5/10.