Valerian and the City of a Thousand Planets

Released: July 2017

Director: Luc Besson

Run Time: 137 Minutes

Rated PG-13

Distributor: STX Entertainment

Genre: Science Fiction/Action

Cast:
Dane DeHaan: Major Valerian
Cara Delevingne: Sergeant Laureline
Clive Owen: Commander Arun Filitt
Rihanna: Bubble
Ethan Hawke: Jolly the Pimp

You know, it takes a special kind of director to craft a film that is so wild, so imaginative, so creative, and yet, so vapid and shallow that it defies all sorts of logic.  Of what movies do I speak?  There have been several, the most recent being Jupiter Ascending.  It was visually distinctive, imaginative, and original.  It was also boring.  The problem was that there was no substance beneath the visual flair of the film.  The acting, the characters, and the lousy pacing sank what could have been a fantastic film.  Sadly, that is exactly the same problem I saw with Valerian and the City of a Thousand Planets.

The film opens with a montage of astronauts greeting each other.  Over the years, the space station grows and aliens begin to show up.  400 years later, the Human Federation is in command of Alpha, a massive structure built to house hundreds of species from across the entire universe.  Major Valerian and Sergeant Laureline have been tasked with retrieving a particular object from a nearby planet.  The story here get so damned convoluted that you generally have no idea what’s going on.  As soon as you do figure it out, the movie is nearly over and it’s so thin, that it’s a miracle that anybody even bothered with a story.  There’s so much going on with betrayals and intrigue and all sorts of shenanigans.  The problem:  None of it means a damn thing.  It’s essentially Valerian rescuing Laureline and vice versa.  Not only that, you have what is arguably one of the lamest love stories ever written.  Was this movie written by human beings?  It certainly doesn’t seem like it.

Like Jupiter Ascending, this film is a perfect example of style-over-substance.  Luc Besson, the director, has proven that he can direct visually spectacular films, but he doesn’t have the first damn clue about writing a decent story or characters.  It’s a problem that’s haunted him since The Fifth Element.  I loved The Fifth Element personally, but that’s mostly because he managed to get a stellar cast for the movie, which made the film better than it should’ve been.  Valerian isn’t so lucky.  I’m not saying the actors are bad, but they’re not given anything substantial to work with.  Dane DeHann plays Valerian while Cara Develingne plays Laureline.  There really is no chemistry between the two.  DeHann uses this voice that really sounds forced trying to make Valerian sound more tough than he is.  Cara fares a bit better, but she’s still hamstrung by a terrible script.  Clive Owen is clearly there for the paycheck.  You can see his character arc coming a mile away.  Subtlety has never been Besson’s strong suit, but you have a character that may as well have “villain” tattooed on his forehead.  The actors that play the humans aren’t served very well.  The aliens on the other hand, are absolutely fantastic.

That leads me into what is easily the best part of the film:  The visuals.  Make no mistake about it, this is a gorgeous movie.  The CGI and the characters are superb.  It’s very clear where the production money went.  The creature designs and the costumes are really phenomenal.  The ships and the planets are also stunning.  This is easily one of the most visually interesting movies that I’ve seen in years.  On the same token, the action is pretty good.  All the fights and gun battles are staged well with decent camera work so you can see what’s going on.  It’s got big explosions, chases, mass destruction and an epic space battle.  What more could you possibly want?  Well….a movie that at least tries to make some kind of sense, actually.

You can have all the bad-ass action sequences you want in a movie.  You can also have the best visual effects that money can buy.  None of that means a damn thing, if there’s no solid story or characters to hold all that up.  Basically, what we have here is an expensive fireworks show.  Luc Besson is a visual director, this much is clear.  When it comes to visuals, there aren’t a lot of people that can do it the way he can.  Unfortunately, his ability to write solid stories and characters has not been very impressive lately.  This feels like his attempt at creating a Star Wars-type universe, but considering who poorly received Valerian has been.  I don’t think we’ll ever see another movie in this particular universe.  I can’t honestly recommend this movie to anybody but the die-hard Besson fans.  Even then, I would say, wait until it’s in a dollar theater or something.  It’s not worth it.

My Final Recommendation: Valerian and the City of a Thousand Blahs.  5/10

 

Birth of the Dragon

Released: August 2017

Director: George Nolfi

Rated PG-13

Run Time: 103 Minutes

Distributor: WWE Studios

Genre: Action/Drama

Cast:
Phillip Ng: Bruce Lee
Yu Xia: Wong Jack Man
Billy Magnussen: Steve Mckee
Simon Yin: Vinnie Wei
Ron Yuan: Tony Yu

When people ask me what kind of martial arts movie to recommend, I pride myself on being extremely knowledgeable about the subject.  I love the martial arts and it is the same with the movies.  I can tell you which ones are amazing and which ones to avoid.  I can say that with confidence and…mostly without ego.  That is why I can tell you without any doubt to avoid Birth of the Dragon.  Why?  Three words: Bait-and-switch.  “What is that?,” you may ask.  Bait-and-switch is when you promise one thing, but deliver something else entirely.  In my opinion, it is an extremely dishonest form of marketing, bordering on false advertising.

The story of Birth of the Dragon is supposed to be about the legendary fight between Bruce Lee and Wong Jack Man.  The details of the actual fight are sketchy at best, since only a handful of people were witness to it.  The movie was supposed to be about the battle between these two legendary martial artists, which would determine whether or not Bruce would be able to continue teaching Kung Fu to non-Chinese.  While we do get that, the focus of the film is centered on one of Bruce’s students, Steve Mckee.  Instead, the story tends to gravitate more towards Steve and his quest to win the heart of a girl who is enslaved to a Chinese gangster.  A good chunk of the film is essentially Steve trying to get Bruce and Wong to help him free the girl.  If the film makers had gone for the same approach that Wilson Yip did with Ip Man, it would’ve been a much better movie.  Sure, you can have a fictional story set around Bruce Lee, I don’t think anybody’s really opposed to that, except maybe Shannon Lee, his daughter, but they would’ve needed to keep the character as true to the real life Bruce Lee as possible.  But they didn’t do that here.  Instead, they ended up trying to make the white guy the hero.  Again.

You know what’s funny about all this?  There was actually supposed to be LESS Bruce Lee in the film.  If true, that would mean that the fight between Bruce Lee and Wong Jack Man would’ve been a secondary plot point.  In a movie that was advertised to be about the actual fight.  Apparently, early screenings of the film were disastrous with people being pissed off at the lack of Bruce Lee.  It was so bad, the director was forced to re-edit and add more Bruce Lee into the film.  If that’s true, the director fucked up royally.  Evidently, he didn’t have approval from Shannon Lee, who is the executor of the Bruce Lee estate.  So, in addition to not getting proper authority from Shannon Lee, the director had audacity to try and push Bruce Lee to the sidelines.  The idea was that this fight was going to be seen through the eyes of one his students.  That didn’t need to happen, and it shouldn’t have happened, because it didn’t work.

So, with the story being botched, what else got screwed up?  For a movie about the greatest martial arts superstar in film history, Birth of the Dragon is rather boring.  I don’t understand how that could’ve happened.  When you have a movie titled Birth of the Dragon, you would expect to some pretty decent action.  A martial arts movie should NEVER be boring.  That is a cardinal sin that most action movies try or should try to avoid.  I could honestly forgive the story for being not up to par, so to speak if the rest of the film was more lively.

The action that we DO get is actually pretty good.  The fights were choreographed by Cory Yuen, who is second only to Yuen Woo Ping.  The fights are well staged with solid camera-work so you can see what’s going on.  There is some wire-work, but it’s mostly grounded in reality with Bruce Lee using Wing Chun and Yu Xia using a mix of T’ai Chi Ch’uan, Xingyiquan, and Northern Shaolin.  Phillip Ng, who plays Bruce Lee is absolutely phenomenal in these fight scenes.  He’s an expert in Wing Chun, so it’s used quite well.  Yu Xia gives Wong Jack Man a very noble and sentimental performance as a man who is essentially searching for redemption.  I loved that, actually.  I like the fact that Wong Jack Man isn’t portrayed as a villain, because in real life, he wasn’t a villain.  The battle between the two is as much a clash of ideas as it is a fight between two men.  The fight scenes are really good and the performances across the board are pretty decent.  I have to say, Phillip Ng really does look the part and he gets Mr. Lee’s mannerisms down to a tee.

While there are aspects of the film that I really do like, namely the fight scenes and the performances and some of the philosophical discussions, I can’t forgive the film makers for such a blatant and disrespectful account of one of the most interesting aspects about Bruce Lee’s life.  Yeah, the acting and fights are pretty good, but the film that’s built around them is NOT good.  I have to be honest:  If you want to see a movie about Bruce Lee himself, watch 1993’s Dragon: The Bruce Lee story.  Yeah, it definitely takes some liberties with the man’s history and background, but it’s entertaining and it focuses on Mr. Lee himself.  That’s a much better film, and the director didn’t have to pull a bait-and-switch with his movie.  What you see is what you get.  Maybe George Nolfi could learn something from that movie.

My Final Recommendation:  This one deserves a one-inch punch. 5/10

A Second Look: Alien Covenant

Periodically, I will take a look at movies that, at first glance, are disappointing or flat out awful.  For this reason, I have created A Second Look.  This is going to be the kind of post that will take a “postmortem” look at a film.  These will not be “reviews” per se, but rather an observation on the film being looked at.  I will look at the overall reaction to the film and where a possible franchise may continue.  There are certain movies out there that may deserve another shot and thus will earn A Second Look.  For this inaugural post of A Second Look, I will take another shot at one of this year’s most divisive movies: Alien Covenant.

As far back as I can remember, I’ve always been a huge fan of the Alien franchise.  Good or bad, I love these movies to death.  Ridley Scott’s original Alien film was a massive hit in 1979.  People lined up around the block waiting to get in.  When they got in, they were in for a very claustrophobic and bloody surprise.  What made Alien so damned good, was the top-notch directing by then-unknown Ridley Scott, with outstanding performances by Tom Skerritt, Yaphet Koto, Ian Holm and the woman that would become the face of the franchise: Sigourney Weaver.  The film’s direction was tight, with tension and atmosphere that was almost palpable.  The creature itself was unlike anything people had seen before.  H.R. Giger’s infamous Xenomorph would become one of the most iconic movie monsters in cinema history.  Alien took the idea of a science fiction movie and threw in Texas Chainsaw Massacre for good measure.  The result is the greatest science-fiction/horror hybrid movie ever made.  No other movie claiming to be sci-fi/horror has come close.  James Cameron followed up Alien with his sequel, Aliens.  While it was a different kind of film, Aliens also took the world by storm as one of the greatest sequels ever made.  Alien 3 was doomed from the moment it began production and while the final product isn’t nearly as awful as everybody said it was, it was nowhere near as compelling as the previous films.  The less said about Alien Resurrection, the better.  As far as I’m concerned, Resurrection isn’t canon at all.

That was pretty much it for the Alien franchise.  The Alien Vs. Predator movies don’t even count, so I won’t even go there.  Around 2010, it was announced by Fox that a prequel to Alien would begin pre-production.  That was an interesting tidbit, but what got most people’s attention was that Ridley Scott would be returning to the director’s chair for the film.  That got people hyped.  Unfortunately, as what happens in film-making, the initial script and screen-play were radically changed.  20th Century Fox felt it wouldn’t be the best idea to do a direct prequel.  So, instead they opted for a reboot/prequel/something else instead.  Prometheus was released in 2012 to very mixed reactions, with people either loving it or hating it.  I was one of those folks who really dug the film.  It had fantastic visuals, great visual effects and Michael Fassbender.  It had some very interesting ideas about the nature of humanity and where we came from.  Granted, some of those ideas didn’t pan out as intended, we still ended up with a pretty decent sci-fi adventure that still had connections to the Alien universe.

I believe it was in 2015 that a sequel to Prometheus was announced.  It was going to follow the survivors of Prometheus, Elizabeth Shaw(Noomi Rapace)and David(Michael Fassbender) as they headed towards the Engineers’ home planet.  That was something I was excited to see.  Sadly, the backlash to the announcement as well as the previous film forced the director and Fox to retool the film into an actual Alien film.  The film would be called Alien Covenant and would not see the return of Elizabeth Shaw, at least not in the way people wanted.  The film, also directed by Ridley Scott, was released in May of this year.  If you thought Prometheus was divisive, Covenant split audiences into three groups, essentially.  You had people who loved it, the people who hated it, and people like me who were ultimately disappointed, but saw some good things in the film.

So, why the schism?  For one, people like me, who absolutely LOVED Prometheus were pissed to see that particular story-line end the way it did:  Swept under the rug.  I was ultimately crushed by that decision.  The way the film-makers handled Shaw’s fate was so backhanded that people didn’t care about the rest of the film.  To be honest, I kind of tuned out for most of the film, because I was angry about that.  You never get a second chance for a first impression.  That was not the only issue that people had with Alien Covenant.  It tried to be both a sequel to Prometheus and a prequel to Alien at the same time, but failed at both.  At least, that was my first impression of the film.  One of the other issues was that the writing was generally not very good.  The characters were nothing more than fodder for the creatures in the film.  Outside of Danny McBride’s Tennessee and Michael Fassbender’s David/Walter, there were no characters worth connecting to, because you knew that they were going to die.  Part of what made the original film work was that you got to know the crew and care about them, so when they died, the impact had more of an emotional punch.  Add on top of that, the characters were constantly making really stupid decisions, turning Alien Covenant into a second-rate horror movie.

So, does Alien Covenant get better with repeat viewings?  As a matter of fact, it does, at least for me.  As of this writing, on August 15, 2017, the film is now available on DVD and Blu-Ray.  Once I got over the way they handled the whole Elizabeth Shaw angle, the film actually opened up quite a bit in terms of scale and what David was doing on the planet.  Alien Covenant is an origin story for the Xenomorph.  I know that people would prefer the creature to remain a mystery, and to a certain extent, I agree.  That being said, what I found from watching the film a second time was a sense of absolute isolation from anything else in the universe.  You know what’s worse than claustrophobia?  Isolation.  I loved the fact that the landing crew got isolated from the main ship, because of ion storm.  No communication and no safe way of returning.  That meant they were stuck on a planet that appeared to have nothing but plant-life.  From a visual standpoint, the film is absolutely phenomenal.  From the mountains to the Engineer City, Alien Covenant is a visual treat.  It’s even better on Blu-Ray with the textures being so sharp.  From a design standpoint, it’s also fantastic.  The ship designs are fantastic as well as the creature designs.  H.R. Giger’s work is clearly on display here and what else is here is also influenced by Mr. Giger’s work.

A lot of people have also taken issue with the fact that the Xenomorph-proper is CGI.  Here’s the thing, they used a guy in a suit as a reference, but used CGI to enhance the creature.  Let’s face it, the way they wanted the creature to move wasn’t exactly something you could really get a stuntman to do these days.  They were successful in 1979 and 1986, but that’s because they HAD to do it that way and it still holds up.  The Neo-Morphs are suitably creepy and their births are genuinely disturbing.  The gore-factor is definitely high.

There are still major issues with Alien Covenant that I feel bring it down.  For one:  The ending.  I won’t spoil it for anyone who hasn’t seen the film, but you see it coming a mile away and it’s not particularly satisfying.  It’s also blatant sequel-baiting for a movie that may not happen.  Most of the characters are generally irritating and the female hero of the film isn’t really worth mentioning. Katherine Waterston does what she can with what she’s got, but what she’s got is about as thin as a wet piece of paper.

There’s also one outstanding issue that could affect the entire franchise moving forward:  Box-office results.  There’s no sugar-coating this:  Alien Covenant was a failure.  It wasn’t an outright flop, but it severely under-performed in a summer that was rife with some major heavy-hitters like Wonder Woman.  Over the past month and half, it has come to light that 20th Century Fox was very disappointed in Aliens performance.  As a result, they are “re-assessing the future of the franchise.”  So, what does that mean?  It could mean a lot of things.  Prometheus generated renewed interest in the franchise and I don’t think that’s going to go away.  There’s a lot of potential with this franchise to go in so many different directions.  I think that Ridley Scott is going to be given one more film in the franchise to directly connect to the original film.  After that, the focus of the franchise could be anywhere at anytime.  If Mr. Scott can get the next one right, I think he needs to step away from the franchise permanently and in every aspect:  No producing, no writing, nothing.  That’s a sentiment that a lot of critics have echoed since Alien Covenant was released.  The franchise needs new blood.  Besides, a lot of people were really hoping that Neil Blomkamp’s film was going to happen.  Sigourney Weaver and Michael Biehn have expressed GREAT interest in returning to their characters to give them a proper send-off.  That would mean ignoring the events of Alien 3 and Resurrection.

So, is Alien Covenant worth a second look?  I believe it is, in spite of the numerous problems the film has.  It’s a lot of fun and has some terrific performances, specifically Michael Fassbender and Danny McBride.  It also has a decent amount of blood and guts for the gore-hounds.  My initial review and score of 7.5/10 still stands.  I don’t think it’s the disaster that a lot of people thought it was, but it was nowhere near the film that it needed to be.  In order for the franchise to reach new heights, we have to have new blood, so to speak.  Having seen the film for a second time, maybe more, has me appreciating it on different levels.

Death Fighter

Released: July 2017

Director: Toby Russell

Not Rated

Run Time: 88 Minutes

Distributor: Vision Films

Genre: Action/Martial Arts

Cast:
Don “The Dragon” Wilson: Bobby Pau
Matt Mullins: Michael Turner
Cynthia Rothrock: Valerie
Chiranan Manochaem: Yui
Joe Lewis: Conrad
Jawed Al Berni: Peter
Gigi Velicitat: Draco
Prasit Suanphaka: Otto

Movies take quite some to finish.  It usually takes about a year and a half to two years from conception, pre-production, production, and post-production.  It’s not a short process.  Even when it’s all finished, there’s no guarantee that it’ll ever be released.  There have been movies that were completely finished but were never released.  At least, not to the general public.  Roger Corman’s Fantastic Four is a prime example, even though you can check it out on YouTube(not that I would advise such a thing, it’s a terrible film by all accounts).  So, why does a film not get released after being finished?  There a lot of reasons.  Sometimes a regime change for a movie company can have an effect because the new regime doesn’t care for the film, so they shelve it.  Sometimes, a film-maker feels that it shouldn’t be released due to interference from the studio or certain societal issues that would make the film seem…insensitive.  Sometimes, it’s just having issues with getting the film distributed.  Death Fighter is one such movie.

Opening in a warehouse somewhere in Thailand, we see two undercover cops, Mike Turner and Conrad as they try to track and take down a Russian warlord named Draco.  Conrad is shot and killed by Draco and Mike is left seeking revenge.  Mike learns of someone who is familiar with the local jungle, Bobby Pau, and together they head out to take down the bad guys.  On the way, they meet a local doctor who can more than hold her own in a fight.  This is about as straight-forward a story as you can get.  There are no twists, no hidden bad guys, just the two guys and the girl as they track down Draco.  While it’s not particularly original, it serves its purpose, which is to give our heroes people to fight.

Let’s face it, the real reason you watch this movie is for Don “The Dragon” Wilson, Cynthia Rothrock, Matt Mullins, and Joe Lewis.  Joe Lewis, in his final acting role, is only in the film for a short while, but he’s still pretty memorable.  He could still take people down.  It was definitely interesting to see him here.  Don Wilson, who is now one of my favorite martial arts actors, plays Bobby Pau, a hard-drinking former special forces operative.  While Mr. Wilson isn’t the greatest actor in the world, and he doesn’t need to be, he still comes across as somebody that you really like.  Physically, he still kicks ass.  What can I say?  I love watching this guy work.  Matt Mullins is someone I’ve been aware of for quite a while now.  The first movie I saw him in was Blood and Bone, with Michael Jai White.  Again, not the greatest actor, but he can still toe-to-toe with anybody in the industry today.  This guy can really move.  It’s always a pleasure to see Cynthia Rothrock in…well….ANYTHING.  It’s certainly interesting to see her playing a villain, I feel that she’s more suited to playing a good guy…or girl.  That being said, she can still bring it and she brings it pretty hard.  The girl that plays the doctor is more than just a pretty face, she can definitely kick some serious ass, while looking good while doing it.  The main villain?  I’m sorry….he’s just too way over the top to take seriously as a threat.  When a subordinate fails to kill someone, Draco doesn’t chew him out or beat the hell out of him, but just lets him go do his thing.  The scariest villains will kill you outright if you fail them just once.  The second in command, Peter, who is played by Jawed Al Berni, makes for a better villain, because he can fight and is not a nice guy.

With all these big-budget action films, I have to say, few can deliver on the thrills that a smaller independent film can.  Why?  Because indie film makers aren’t necessarily beholden to the “standards” that these big movie companies claim to have.  Death Fighter features some of the best fight scenes this side of the Pacific.  I’ll explain why:  Looking for the fight choreographer at the end credits, I came across a name that I found extremely familiar:  Kazu Patrick Tang.  This is a stuntman/actor/fight choreographer that I am familiar with, and it explains why the fight scenes in Death Fighter are so damn good.  This guy knows who to use his actors and he plays to their strengths.  Best of all?  No wires.  It certainly helps keep the film grounded in a certain reality.  Don Wilson moves better than a lot of actors his age, and so does Cynthia Rothrock.  Seeing those two in a fight scene together is really cool.  Matt Mullins and Jawed don’t need stunt doubles for their fights.  These guys are very good at what they do and their scenes together are absolutely amazing.

Death Fighter was a film that was supposed to be release back in 2014 under the name White Tiger, but the film was shelved until it could find a distributor.  As I said above, this was Joe Lewis’ last role before he passed away.  If you don’t know who Joe Lewis was, he was a martial artist who won various karate tournaments and was named as one of the greatest fighters of his time.  Bruce Lee himself considered Mr. Lewis “the greatest Karate fighter of all time.”  He was also one of 5 men who managed to beat Chuck Norris.  If that’s not a ringing endorsement of the man, I don’t know what is.  Sadly, Joe Lewis passed away in 2012 as a result of a brain tumor.  He’s left behind an incredible legacy.  He had his own system of martial arts that focused on full contact fighting and is considered by many to be the “father of kickboxing.”  I don’t know if he ever got a chance to see the final cut of this film, but I think he would have been very proud of it.

Overall, my impression of Death Fighter is a very good one.  While it may be slow in places, it does allow for some real character development, especially for Don Wilson’s character.  While there are certain issues with camera-work, this is still a very good movie, despite the fact that it took 3 years to get released.  Don Wilson and Cynthia Rothrock still have what it takes to be action stars, and Death Fighter is definitely one that should be seen by any fan of martial arts films.

Final Recommendation: 8.5/10.